Page 4 - 2022藝文指南針3月號

藝術×科技 很有感 Art × Technology Resonate with You 「科技始終來自於人性」。若談到科技與藝術兩者間的關係，「人性」就更是穿透兩者的關鍵， 如果沒有創作者以人為本的思考，以及與觀眾互動的渴望，那麼作品裡就算有再多的科技運 用，觀眾都會很無感。2022歌劇院台灣國際藝術節，就將結合美學與科學，看似穿上科技的 外衣，然而細細探究創作源頭，皆脫離不了在美學上的追求，與人類情感上的抒發。 2022 NTT-TIFA的十檔精選節目，包含結合AR、VR、AI運算虛實整合的《客廳》、《看見你的 自由步2.0》、《大潮》;運用4D BOX智慧舞台浮空投影的《光年紀事:臺北-哥本哈根》、《奪 愛最終回》;以影像與空間打造創作的純白舍Dance Lab《平行視探》。另外，也有從「聲響探 索」角度切入的節目，像是沉浸體驗的聲響實驗室《凱吉一歲》親子版;歌劇院駐館藝術家 鄭伊里，以兩年駐點創作的電聲肢體劇場《感質》;及將與美國四次葛萊美獎聲音工程設計獎 馬賽洛.阿內茲聯手的雲門舞集鄭宗龍全新舞作《霞》。最後，期待已久，被譽為「當代達文 西」的創作鬼才羅伯.勒帕吉，終將以自編自導自演的最新鉅作《庫維爾1975:青春浪潮》 首次造訪臺中國家歌劇院。 而隨著表演藝術透過科技運用，幻化出一回回嶄新的視覺意象，在聽覺部分，除了上述聚焦 在聲響探索的節目外，近期許多劇場與舞團也邀約了背景大不相同的「非典型配樂家」，為其 作品進行音樂設計，讓音樂與聲響一同內化在觀賞表演的整體體驗中，為作品帶出更多新穎 的想像與趣味，以及直接與心靈溝通的情感層面。本期「阿特直送」，就要來介紹這些自帶斜 槓的音樂設計們。 There’s a common saying in Taiwan that goes: “technology always comes from human nature.” When it comes to the relationship between technology and art, “human nature” is the key that connects the two. Suppose the artist fails to consider human-oriented factors and lacks the desire to interact with people. In that case, the work won’t resonate with the audience, despite as many technologies as can be applied. National Taichung Theater’s 2022 Taiwan International Festival of Arts aims to marry aesthetics with science, presenting programs coating with technological outfits. However, when delving into their creative origins, one will definitely realize these works are fruits of human emotion representing aesthetical pursuit. 2022 NTT-TIFA features 10 sensational programs. Living Room, FreeSteps AR Yours 2.0 , and Acqua Alta integrate AR, VR, and AI computing that woven the reality and the virtual worlds. Chronicle of Light Year: Taipei-Copenhagen and The Ultimate Battle employ 4D BOX AI spatial mapping technology. See , a creation by Dance Lab, explores the relationship between space and visual images. Other programs explore sonic effects. Dear John is a family immersive sound lab. After two years of residency, NTT Artist in Residence CHENG I-lly offers Qualia, an electronica and body- movement theater performance. CHENG Tsung-lung’s Send in a Cloud is a new creation for Cloud Gate, collaborating with the four-time Grammy-winning sound designer Marcelo Anez. Finally, Robert Lepage, widely praised as the “da Vinci of our time,” will visit National Taichung Theater for the first time with his long-awaited, latest work, Courville , in which he serves as a writer-director-actor. The application of technology has created countless unprecedented visual images for performing art. Whereas in the field of sound art, in addition to the above-mentioned exploratory programs, many theaters and dance companies have recently joined forces with “atypical sound designers” with very different backgrounds. The outcomes internalized music and sound in the overall theatrical experience, bringing further original imagination and delights to the works and providing direct emotional communication with people’s souls. In this issue’s Arts Up to Speed, we will tell more stories about these slashie sound designers. EDITOR'S CHOICE 編輯推薦