Page 4 - 藝文指南針8月號_電子書

編輯推薦 1 -²䥨 ²IaÓh ² Û䓁 QEG ɪʹ
魔幻森林裡，繪聲又繪影
Enchanting Sound and Shadow in the Magic Forest

如果你最近曾搭乘高鐵，可能會發現連平日，車廂都塞得滿滿滿，周末更會有種票滿難訂的
EDIT OR'S CHOICE
驚嘆，更不用說今年一波波的連假，經常座位秒被掃空。我們當然偷偷希望有一部分的旅客
搭上這條縱貫線，是要前往另個城市，觀賞該地場館的精彩演出（據我們所知其實為數不少
喔！）。而今年以來，的確有越來越多的重磅節目被分佈在不同城市，加入熱搜行列，都鼓
勵著我們出走熟悉的居住地，透過表演的觀賞，感受另一個城市的熱度。
像是衛武營國家藝術文化中心與臺北市立交響樂團就將共同合作德國浪漫派歌劇經典之作
《魔彈射手》，這檔來自奧地利茵斯布魯克歌劇院的新穎製作，強調心理縱深，對白改用作
曲大師白遼士寫的演唱版，更具歌劇特色。韋伯的《魔彈射手》兩百年來持續為人喜愛，不
只旋律動聽，更是為華格納等人開路、承先啟後的德語浪漫歌劇里程碑。森林和魔法，現實
與奇幻，優美曲調加上刺激造景，驚豔也動魄。質樸森林獵人、柔情良善少女、鋌而走險的
徬徨與陰森恐怖的狼谷，透過作曲家精心設計的管絃聲響，在在展現出鮮活生動、細膩繽紛
的形象與色彩，堪稱樂團寫作教科書。光明與黑暗，最終誰能獲勝？投機取巧、鬼迷心竅，
又得付出怎樣代價？
至於臺中則有歌劇院持續推動音樂劇熱潮，更透過「音樂劇人才培育工程」，幫臺式音樂劇
想好未來、培育新銳。要是你對臺式音樂劇還不怎麼熟，本期「阿特直送」就來講個古，帶
你進入時光隧道跳覽臺式音樂劇的發展。

If you’ve recently taken a ride on the Taiwan High Speed Rail, you may have noticed that even on
weekdays, the train carriages are packed to the brim. And on weekends, it’s even more challenging to
secure a ticket—not to mention the waves of long weekends this year, where seats are often snatched
up within seconds. Of course, we secretly hope that some of these passengers on the north-south line
are heading to other cities’ venues to witness the spectacular performances held there (and there are
quite a few, as far as we know!). Indeed, 2023 has seen increasing heavyweight shows distributed
across different cities, making headlines and encouraging us to venture away from our familiar
dwellings to experience their energy and warmth.
For example, the National Kaohsiung Center for the Arts Weiwuying and the Taipei Symphony
Orchestra will collaborate on the German Romantic opera classic Der Freischütz. This new
production by Tiroler Landestheater und Symphonieorchester Innsbruck emphasizes psychological
depth, replacing the spoken dialogues with French master Berlioz’s recitatives to further highlight
the nature of opera. Carl Maria von Weber’s Der Freischütz has been an audience’s favorite for two
centuries for its enchanting melodies. It is also a milestone in German Romantic opera, paving the
way for composers, including Richard Wagner. The forest and magic. Reality and fantasy. Beautiful
melodies accompanied by stunning stage design—it is both astonishing and awe-inspiring. Through
painstakingly crafted orchestral sound, Weber vividly depicts genuine forest hunters, gentle and
virtuous maidens, risky adventures, and the eerie and terrifying Wolf’s Glen with vibrant images
and colors, making it a textbook example of orchestration. Light and darkness, who will ultimately
prevail? Opportunism and deception, but at what cost?
As for Taichung, the National Taichung Theater continues to drive the musical theater frenzy,
nurturing young talents through the “Musical Playwright Incubation Project” and envisioning a
promising future for Taiwanese musicals. If you’re not yet familiar with Taiwanese musicals, this
issue’s Arts Up to Speed will take you back in time for a recap of its development.
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